Lollapalooza Saturday. Holy Delay!!!!!

The truth is... I did attend Lollapalooza for the whole weekend, contrary to my lack of updates. Here's a recap of Saturday.

Saturday was a test of endurance and without question the busiest day of the Lollapalooza weekend. Waking up early with the Morning Benders and seeing Phoenix headline against the Chicago skyline alone would be enough, but in between were some of the shows I was most excited for all weekend.

The Morning Benders

The Morning Benders took the near impossible to find Sony Bloggie stage promptly at noon to take full advantage of their 30 min time slot. Despite the disadvantages of the early set and time limit there were plenty of fans to support. The Bender's are riding the acclaim and buzz of their album Big Echoes(#6 on my top 10 albums of the year so far),and pleased the crowd as such by playing songs only from that album. They opened with a rendition of "Stitches" that built in tension throughout, growing to an unstable and unsustainable finale and then kicked it down a notch with their following tracks only to build with the last three. They changed up a lot of their songs from the album and seemed to be holding back some, especially in the middle of the set. Along with "Stitches", the sing along finale to "Excuses" was the highlight with the entire crown in unison mimicking the La's and Da's of the band. With killer harmonies reminiscent of the Beatles and Beach Boys, the Morning Benders are sure to be a band that consistently gets later and longer festival time slots each Summer.

Rogue Wave

Asleep at Heaven's Gate, Rogue Wave's 2007 release has become one of my favorite albums, and their 2003 and 2005 releases are never far from my stereo, but since the end of 2007 nothing but bad luck has come their way. They have experienced lineup changes, the death of a bassist, near fatal kidney disease of a founding member Pat Spurgeon and two slipped discs in the neck of front man Zach Rogue rendering him paralyzed for months. With his creative juices flowing once more Rogue and crew have but together their most ambitious release yet with 2010's Permalight. Regardless of how ambitious it is, I can't seem to enjoy it in the same way as their previous albums. Partly due to thin production and partly due to a new, somewhat forced direction, the record comes off as tinny and forced. I checked their 45 minute set out and suffered the burning sun eager to hear some classics and hoping that the new tracks live would change my mind about the album. The first 4 tracks of the set came straight from Permalight and did nothing to change my mind about the record. I held out to be rewarded with the final 5 songs coming from previous releases, each one sounding more confident, louder, and grander than anything from the first four.

The xx

The crowd was packed tight for the xx's 3'oclock Saturday set. This indie buzz band has a sound more fitting for a church or a personal show than an afternoon festival slot but despite their minimalist sound they held up well in the sunshine and open space. With xx super fans clinging to every whispered word, the band played almost straight through their debut album, xx. Like their album, the live show was all minimalism and careful consideration of space, and for playing out of their comfort zone, a very worthwhile set.


Grizzly Bear

I saw Grizzly Bear play at the Blue Note in Columbia, Missouri last fall and was blown away. It took me a while to get into their latest Veckatimest, and I still can't get into some of their older material, but once I finally reached that point with their 2009 release, it really spoke to me. I was excited to see them again, but their epic sound just doesn't translate very well to festival setting. They played 11 tracks all of which were picked for outdoor play, but some of the more subtle intricacies heard on their record or in a more personal setting were lost in the open air. The crowd responded well to most of the songs from "Veckatimest" and were especially warm to "Two Weeks". The harmonies were on and they built tension and emotion just like on the their latest but were really missing some indoor acoustics.

Spoon



Veteran indie-rockers Spoon have become festival mainstays and rarely disappoint. Reeling off of this years release and my #2 record of the year,
Transference, Britt Daniel and crew proved immediately why their were so many people waiting for the show to start. Daniel opened solo with an acoustic rendering of "Me and the Bean" before the rest of the band and supporting brass musicians entered for "Nobody Gets Me But You". The brass section gave the band some extra muscle under the quickly sinking sun, really adding emphasis to select tracks fromGa Ga Ga Ga Ga but also to older classics such as "Jonathon Fisk". Daniel as always was punchy and emotional on the guitar but his real power comes from his lungs, crooning one second, switching to falsetto on the fly, screaming and bellowing only to arrive at a sweet serenade of a finish. Daniel was dressed all in white for the show, but even without the flash he stuck out. I was lucky enough to catch them twice on this tour seeing them at the 80/35 festival in Des Moines on the 3rd of July, and was rewarded both times. Because of this, I didn't feel too bad leaving a second early to make some serious ground for the next band on my list, Cut Copy.

Cut Copy

Everyone's feet were busy during perhaps the danciest show I have ever been too. Cut Copy played a couple of new songs to positive response but mostly stuck to their trumping hits from their last and near perfect In Ghost Colours. "Lights and Music", "Hearts on Fire", and "Out There On the Ice" were the hits but the rest of their catalog was almost as moving. If the show had a fault it was that the mix was a little off at the beginning with the vocals started too high and then vastly over-corrected. Before the first two songs finished the problems were fixed and the band got better and better with each passing track.

Phoenix

When I read the lineup for Lollapalooza I could hardly believe that Phoenix would be one of the six headliners. It has only been a year since the French group gifted the earth with Wolfgang Amadeus Phoenix but by this time it's a sure bet that indie kids and dentist dads alike have heard either "Lisztomania" or "1901". Phoenixmania has definitely infected the musical world, however they're not a new band as their surge of popularity might suggest. In fact they've been crafting perfectionist pop anthems since 1999 and have a strong catalog of four full-lengths and a live album but also having spending some time backing another little French band called Air. The show itself was good, like the music they perform it was well scripted and super precise. The setlist didn't change and the songs are played mostly like they are on the studio albums. However the band cruised and Thomas Mars is a showman if there ever was one. Phoenix played a memorable show and it was a nice cap on a great year, I just wanted a breakthrough performance to go with it.